On Terminator: A Salvaged Vision
Posted in Processed Beats on May 28th, 2009 andYou have a good sound system, a crowd that readily claps at anything and everything, a trio of male strangers seated to your right crunching loudly on ice, and the lights in the cinema that goes dim a near minute too late, and still it is declared to be all good.
Terminator Salvation is a resounding symphony of brilliant script writing, careful blend of instruments that revolves around good directing, cautious graphics and intelligent casting.
Brought to you by the Executive Producer of The O.C and director of We Are Marshall, McG orchestrates his vision with careful thought in bringing the key instruments together.
Christian Bale leads an outstanding role as his character John Connor, whose quiet intensity delivers the necessary characteristics as the son of Sarah Connor.
Two thumbs up for Sam Worthington, whose character Marcus Wright compliments Bale’s performance in chorus, and of course there is Anton Yelchin, who plays the young Kyle Reese.
For those who are adverse to seeing an over-aged Arnie take possible centrestage again, rest assured that he of Austrian accent proclaiming a cocky return, only appears briefly as an overblown, wrinkle-free airbag without a crotch.
With all due respect to the founding actor of the movie, it was good to see good old Arnie for the brief few seconds again on screen, giving us even more reason to be thankful for the new cast, and drawing in the depth of how every scene flowed near-seamlessly together.
For those who are not inclined to sit through a war movie without earplugs on standby lest thy ears get blown away, I would not encourage you to sit through a theatre screening of this. However, don’t regret feeling letdown by missing out on the splendid sound effects and accompanying composition of the overlaying soundtrack, because both sound and visuals compliment each other thoroughly in this resuscitated vision.
I look forward to he who will be back in the following installment, and applaud the entire production team for their evidently tireless patience in bringing forth Terminator Salvation, which saved the initial diminishing hopes I had had after T2.
Where humans versus machines are involved, indeed we cannot deny that what sets us apart are our conscience and beating heart, and no matter how cold or strong an unfeeling object may be as an obstacle in your life in all its apparent treachery, there is always hope. Just know where its mechanical Achilles tendon lies and address it accordingly.
There will always be a new dawn of a crescendo in your life even when it feels like almost all hope is lost.
4 out of 5 stars for an instrumental masterpiece well delivered, and for a soundtrack I look forward to.